Category Archives: Formative coursework

Sequence Analysis: Nikolai Larin, Merchant Bashkirov’s Daughter (1913)

In this post, you will read an analysis of a key sequence from Nikolai Larin’s film The Merchant Bashkirov’s Daughter (Doch´ ku [...]

Sequence Analysis: Chapaev (1934) Directed by Sergey Vasilev and Georgi Vasilyev. Russia, Lenfilm Studio

In this post, you will read an analysis of a key sequence from the Vasil´ev Brothers’ film Chapaev (1934). The aim of this post is to [...]

Sequence Analysis: Aleksandr Dovzhenko’s Arsenal (1928)

In this post, you will read an analysis of a key sequence from Aleksandr Dovzhenko’s film Arsenal (1928). The aim of this post is to e [...]

Introduction to: Lev Kuleshov and the Kuleshov Collective

In this post you will read an introduction to the Soviet filmmaker Lev Kuleshov and his group known as the Kuleshov Collective. Lev Kulesh [...]

Sequence Analysis: Nikolai Larin, The Merchant Bashkirov’s Daughter (Doch´ kuptsa Bashkirova, 1913)

In this post, you will read an analysis of a key sequence from Nikolai Larin’s film The Merchant Bashkirov’s Daughter (Doch´ kupts [...]

Programme note: Evgenii Bauer, Posle smerti (After Death, 1915)

In this post, you will read a programme note for Evgenii Bauer’s film After Death (Posle smerti, 1915. The aim of this post is to pro [...]

Programme note: Sumerki zhenskoi dushi (Twilight of a Woman’s Soul, 1913)

In this post, you will read a programme note for Evgenii Bauer’s film Sumerki zhenskoi dushi (Twilight of a Woman’s Soul, 1913). Th [...]

Programme note: Evgenii Bauer’s Child of the Big City (Ditia bol´shogo goroda, 1914)

In this post, you will read a programme note for Evgenii Bauer’s film Child of the Big City (Ditia bol´shogo goroda, 1914). The aim [...]

Programme note: Umiraiushchii lebed´ (The Dying Swan, 1917)

In this post, you will read a programme note for Evgenii Bauer’s film Umiraiushchii lebed´ (The Dying Swan, 1917). The aim of this p [...]
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