Which one leads to the other? Is political unrest the popular reaction to a critical situation? Is political unrest rooted in the population’s anxiety, anger, miscomprehension of a current, consequential events? I will endeavor to explain how political unrest can be considered as a crisis in itself, themselves leading to even more impactful, destructive crisis. If it is unclear how these two are correlated, it is undeniable that they are intrinsically linked together in a cyclical relationship.
Here are a few pictures of the so-called “political unrest” in a wide variety of countries:
First of all, it is important to define the scope from which I will look at the word “crisis”. The word crisis is overused and misunderstood. Its etymological root coming from the Greek word “krino” meant “separate”, “choose”, “judge” or “decide” (McIoughlin). It leads us to believe that the word crisis depicts a state in which the human being, able to reflect on what is happening around him, has the possibility to deliver a critical analysis of his surroundings. The very word crisis is inherently linked to the existence of a living soul with cognitive capacities.
Political crisis, economic crisis, sanitary crisis, psychological crisis, and especially existential crisis show us how the term is multifaceted. So multifaceted that, pushed to its paroxysm, it has lost all meaning. The term “crisis” only highlights that there is something wrong and undefinable that our lack of vocabulary pushes us to use the term “crisis”, a term to which everyone in the room will nod to, because they might not really know what we are referring to, but they know that there are many things they would like to change.
As far as crisis is an individual conception, the anxiety it creates can be transmitted to others, and especially with the rising influence of medias, as Carlo Caduff suggested in What went wrong: Corona and the World after the Full stop” (2020): “today’s fear is fueled by mathematical disease modeling…nervous media reporting”. There can be a general sense of crisis, a consensus on how people feel about a situation. However, it is possible to live in the denial of a crisis, just like Jim Callaghan was hoping to live in denial of the winter of discontent.
So here we have decided that a crisis arises from a common anxiety, or perhaps anger, that is decupled with the number of people exteriorizing it. If it can be seen solely as a human conception (or misconception) of a situation, it definitely arises from unavoidable events coming from an overpowering force: a government, a natural disaster, a disease…
In the context of HIV/AIDS, the sanitary crisis definitely led to political unrest, even though it has only been acknowledged quite recently. In both movies Philadelphia (Jonathan Demme) and 120BPM (Robin Campillo), the crisis is portrayed very differently.
Here is an actual footage of “Act Up” at Notre-Dame in Paris in the 1980s, an organisation working to the lives of people infected with HIV and demonstrating in order to make the government change their policies and offer more funding for their cause.
The movies are strikingly different in the way they represent HIV and the people affected by it, and these diverging conceptions, even though they might highlight cultural differences, reside in the fact that both movies were released at different periods of time in the history of HIV: Philadelphia was released about ten years after the discovery of the virus when it was still unveiled in spiralling questions, whereas 120BPM is almost thirty years older. The HIV “crisis” seen in hindsight is utterly different, especially considering the swings that occurred in the public opinion, concerning a disease that was initially believed to be a “gay cancer”.
In Philadelphia, Andrew Beckett’s death caused me a lot of uneasiness: if the music (Wake, Neil Young) is undeniably dramatic, the chatter and laugher of all relatives attending the funeral seems out of place: children are running around, representing the renewal of life, adults look at a screen representing Beckett’s innocent childhood, a child not infected with HIV and this is how it ends. There is no crisis represented here, an individual has died but Demme decided to focus on this individual, forgetting all those left alive and in need of help and reaction from the rest of the world.
This is the last scene of the movie “Philadelphia” by Robert Demme
However, 120BPM shows the crisis from the point of view of someone acknowledging the existence of the crisis. And in these eyes, it does seem like a crisis affecting the whole world, creating in the audience a stronger reaction, and a will of revolutionizing the world and its institutions.
Two extracts of the Gay Pride Scene, a completely different portrayal of the population’s reaction to the HIV crisis. The first one is represent a gay pride scene, the second is the invasion of a medical research laboratory by members of Act Up.
Therefore, we come back to the idea that the notion of crisis is highly subjective and that it is possible for one to avoid it completely if it does not impact one’s immediate environment.
To come back on the main question reflecting on how political unrest and crisis are intertwined, it does seem that in such a context, the original, sanitary crisis evolved in political unrest. However, this political unrest triggered a multitude of crisis to arise; the sanitary crisis exacerbated a political crisis which, in turn, would have dire consequences on the system.
Joe Biden’s election shows how political unrest can be the crisis in itself. His election as American president in December 2020 does not seem to be a crisis in itself: most people around the world seemed to be rejoicing about it. However, some of Trump’s supporters did not seem to agree with this election, creating a huge political crisis as the American democracy was jeopardized:
Here are two videos showing briefly what is referred to as the “Capitol Hill riots”
I strongly believe this political crisis is due to a more deep-rooted, insidious phenomenon: social medias and algorithms.
It used to be believed that there is nothing more unbiased and straightforward as statistics. Numbers do not take opinions into account, making them a pure reflection of reality. However, as the overarching use of statistics, and especially varying incentives hidden from the common human being looking at them to prove a point was a precursor for statistics’ loss of credibility. So as much as we used to believe that algorithms were a succession of numbers, the incredible development they have undergone now show us that they do take opinions into account.
We all go on social medias hoping to find the truth. But these social medias were not created to give us the truth. They are not non-profitable organisations working for the common good. They are working for themselves, selling our unconscious biases, our tastes, our personalities to other companies. We are the product, not the consumers. Facebook, twitter, Instagram, snapchat are free apps for us, because we are being sold. And to keep us on their social media as long as possible, they have to feed us with information we will agree with, facts we like, so that they can sell us more. They will never give us the counter-opinion of our beliefs, they can’t create frustration, they can’t afford to let us turn off our phones.
The constant political unrest the world has been undergoing in the recent years is a crisis in itself, which is due to misinformation and media manipulation. The crisis here is embodied by political unrest. The HIV/AIDS crisis was a precursor of political unrest leading to new crisis. Therefore, crisis and political unrest are entangled together in a myriad of different ways that are undefinable. This is probably due to the uncertain definition of the word “crisis” that is being overused, but I believe that recent events and the manipulation we are being the victim of are blurring the differences even more.