Bibliography

[Last modified: March, 25 2019 03:55 PM]

Human Reproduction

Auteri, S. (2015). The Evolving State of Sexuality Education Around the World. American Association of Sexuality Educators Counselors & Therapists. [online]. Available at: https://www.aasect.org/evolving-state-sexuality-education-around-world. [Accessed 16 Mar. 2019].

Kontomanolis, E., Michalopoulos, S., Gkasdaris, G. and Fasoulakis, Z. (2017). The social stigma of HIV–AIDS: society’s role. Dove Medical Press Limited 9(111-118).

Melby, J. (2012). The Birth of Aphrodite, or Venus Rising from the Froth of the Sea. Graphic Arts: Exhibitions, acquisitions, and other highlights from the Graphic Arts Collection, Princeton University Library. [online]. Available at: https://www.princeton.edu/~graphicarts/2012/03/the_birth_of_aphrodite.html. [Accessed 16 Mar. 2019].

Petraglia, F. and Bettini, M. (2010). Review: Human Reproduction in Art: From Myths to History. Reproductive Sciences, 17(8), pp.711-717.

Salmon, C. (2012). The pop culture of sex: An evolutionary window on the worlds of pornography and romance. Review of General Psychology, 16(2), pp.152-160.

Secretary of State for Education and Minister for Women and Equalities. (2017). Sex and Relationships Education: Written statement – HCWS509. London: House of Lords. [online]. Available at: https://www.parliament.uk/business/news/2018/july/statement-on-relationships-and-sex-education-19-july-2018/?fbclid=IwAR30GECPfXaqouWwlrbkkWaeoMxm2Y8is5tVJrpz-EqnFRyyRx_oecclnEE. [Accessed 16th March 2019]. 

Testart, J. (1995). The New Eugenics and Medicalized Reproduction. Cambridge Quarterly of Healthcare Ethics, 4(03), p.304.

UNESCO. (2015). Emerging evidence, lessons and practice in comprehensive sexuality education: a global review. [online] Paris: The United Nations Educational, Scientific and Cultural Organization. Available at: https://unesdoc.unesco.org/ark:/48223/pf0000243106. [Accessed 16 Mar. 2019].

Voland, E. (1998). Evolutionary Ecology of Human Reproduction. Annual Review of Anthropology, 27(1), pp.347-374.

Wellner, K. (2010). A History of Embryology (1959), by Joseph Needham. In: The Embryo Project Encyclopedia. Arizona State University. [online]. Available at: https://embryo.asu.edu/pages/history-embryology-1959-joseph-needham?fbclid=IwAR2CUTuDb_h1OrPZENMdK3Wrgyz5wQ5_euLMzRmhjU7LMQE7cEQO8mgJbrw. [Accessed 16th March 2019].

 

Imitating Nature

Brittingham, M.C. and Shoffner, A.V. (2013). Freeze-Drying to Preserve Birds for Teaching Collections. Northeastern Naturalist 20(3), p.441-450.

Carnall, M. (2013). Life, Stilled. Museums & Collections Blog. [online]. Available at: http://blogs.ucl.ac.uk/museums/2013/07/09/life-stilled. [Accessed 18 March 2019].

Tyrrell, K. (2015). Syndey Parkinson. Botanical Art and Artists. [online]. Availible at: https://www.botanicalartandartists.com/sydney-parkinson.html.  [Accessed 18 March 2019].

 

Mass (Re)production

Henry Ford Museum. (n.d.). History & Mission. The Henry Ford Museum. [online]. Available at: https://www.thehenryford.org/. [Accessed 18th March 2019]. 

Hodal, K. (2018). Abuse is daily reality for female garment workers for Gap and H&M, says report. The Guardian. [online]. Available at: https://www.theguardian.com/global-development/2018/jun/05/female-garment-workers-gap-hm-south-asia. [Accessed 18th March 2019].

Huxley, A. (1932). Brave New World. London: Chatto & Windus.

Minney, S. (2017). Slave to Fashion. London: New Internationalist.

People Tree. (n.d.). Our Story. People Tree. [online]. Available at: https://peopletree.co.uk/about-us. [Accessed 18th March 2019].

Turn Around H&M. (2019). Shareholders of H&M fail to take responsibility for garment workers’ wages. Turn Around H&M. [online]. Available at: https://turnaroundhm.org/2019-01-31/. [Accessed 18th March 2019].

Wikipedia. (2019). Pottery. [online] Available at: https://en.m.wikipedia.org/wiki/Pottery. [Accessed 18th March 2019].

Wood, B.G. (1990). The sociology of pottery in ancient Palestine: the ceramic industry and the diffusion of ceramic style in the Bronze and Iron Ages. Vol. 4. London:A&C Black.

 

Reproducing Ideology

Dæmonologie, in forme of a dialogue, divided into three Bookes. (1597). British Library, Discovering Literature: Shakespeare & Renaissance.

Eddy, M. (2017). Germany’s Latest Best Seller? A Critical Version of ‘Mein Kampf’. The New York Times. [online]. Available at: https://www.nytimes.com/2017/01/03/world/europe/germanys-latest-best-seller-a-critical-version-of-mein-kampf.html?ref=world. [Accessed 8 Mar. 2019].

Keats, J. (2016). Is This $300,000 Chanel Suit The Future Of Wearable Tech? See TheSoft Side Of Machines At The Met. Forbes. [online] Available at: https://www.forbes.com/sites/jonathonkeats/2016/04/26/is-this-300000-chanel-suit-the-future-of-wearable-tech-see-the-soft-side-of-machines-at-the-met/#567527576cce. [Accessed 9 Mar. 2019].

Little Black Dress. (2019). Find out how Coco designed the Chanel Suit | Little Black Dress. [online]. Available at: https://www.littleblackdress.co.uk/life-of-chanel/the-chanel-suit.html. [Accessed 11 Mar. 2019].

Pettegree, A., 2011. The English Reformation. BBC. [online]. Available at: http://www.bbc.co.uk/history/british/tudors/english_reformation_01.shtml. [Accessed 27 Feb. 2019].

 

Reproducing the Living

Chamot, M., Farr, D. and Butlin, M. (1964). The Modern British Paintings, Drawings and Sculpture. London: Oldbourne Press.

Copping, A.M. (1974). The Story of College Hall. London: Newman Books.

Duby, G.M.P. (1992). Power and Beauty: Images of Women in Art. London: Tauris Parke Books.

Kaye, E. (2004). Rosa Morrison. Oxford Dictionary of National Biography. [online]. Available at: http://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-48601?rskey=EorcOv&result=1. [Accessed 10th February 2019].

Levine, P. (1994). Victorian Feminism 1850-1900. Gainesville: University Press of Florida.

Liggins, E. (2014). Odd Women? Spinsters, Lesbians and Widows in British Women’s Fiction 1850-1930. Manchester: Manchester University Press.

Panofsky, E. (1992). Tomb Sculpture: four lectures on its changing aspects from Ancient Egypt to Bernini. New York: H.N. Abrams.